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Track: Working Angles
Artist: Foreign Beggars
Album: The Uprising

Artist Bio

Foreign Beggars Image

Name: Foreign Beggars
Spotify Genres: dubstep, dub
Followers: 101,492
Popularity:

43/100

Biography

Averaging well over 100 shows per year, ‘Foreign Beggars’ are one of the most prolific and versatile Hip Hop outfits to emerge from the UK. Consisting of MC’s Metropolis and Orifice Vulgatron, Producer Dag Nabbit, Human Beat boxer Shlomo and DJ Nonames. With roots ranging from jazz and classical training, to years of writing recording and performing hip hop, death/power-metal and drum & bass the group’s varied experiences combine to create one of the most explosive live rap showcases on the planet. Individually, ‘Foreign Beggars’ have achieved a range high profile accomplishments from appearance s on Bjork’s ‘Medulla’ album and the Gorillaz single ‘Tomorrow Never Comes’, to remix production for Amp Fiddler and Corinne Bailey Rae, and touring the States with James Lavelle’s UNKLE outfit. Whilst also having collaborated with a slew of hip hop heavy weights including Stones Throw’s OhNo, Guilty Simpson, Wildchild and Dudley Perkins, producer supreme DJ Vadim, Dabrye, Scratch Perverts, Skinnyman, Task Force and Spain’s Griffi and Tote King they have worked from a host of other genres including Vex’d, Virus Sundicate, Natalie Williams, Noisia and Ram Record’s Subfocus. Shlomo has also created the worlds first Vocal Orchestra, and was made an “Artist in Residence” at the South Bank Centre at the young age of 22, Curator of the 2007 world beatbox convention in London and judges at the UK Beatbox championships and has performed with the likes of Bjork, Dizzee Rascal, The Specials & Damon Albarn. Championed on national radio by Zane Lowe, Pete Tong and Tim Westwood, Nonames and Orifice are now into their second year presenting a weekly hip hop and grime show on the BBC Asian Network. Television features include Channel 4, ITV and MTV, Shlomo Live on Jools Holland and Eastenders, and a live broadcast on the BBC from Glastonbury. Whilst running one of the most respected Hip Hop record labels in the UK “Dented Records”, and organizing events throughout the country, they haveperformed on stage and opened for Snoop Dogg, Amy Winehouse, Public Enemy, Pharoahe Monch, Iain Brown, Femi Kuti, Mark Ronson, Talib Kweli, Roni Size, Asian Dub Foundation, Pendulum, K’Naan, Wu Tang Clan, Kano, Masta Ace, Herbalizer, East 17! Roots Manuva, and many more. Sadly Metropolis passed in April 2020.

Source: Discogs

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Release: Foreign Beggars - The Uprising
Year: 2013
Genres: Electronic, Hip Hop
Styles: Hip Hop, Dubstep, Drum n Bass, Electro

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Source: MusicBrainz

LYRICS

Man dem be hustlin daily workin that flow,
see man puttin down the greasiest bars in the studio, oh
dem man are out there shoutin but now it's our time to show
we be murkin try it's crazy for stately amounts of dough, oh
and we the kind of breds that the ladies wanna jump up on
cuz they see us workin angles and gettin that legal whoa, oh
so if you ever doubt it how beggars be comin strong
you better recognize bredda we sitting up on the throne
it's all about US
and we stay TIGHT
time we dun BLOW
got de manner HYPE
da man can't PAR
they just get BY
and we get MORE
so don't bother CRY

Yo
What's really good right now
Foreign Beggars
Makin evil
now once again

Yeah, and it's on and it's on
Begga fam in da back with a bong
Back with another fat track and it's on
Back with the top of the top, it's not long, come along
Million ways to make war
Million ways, the statement up wrong bring it on
Man dem wanna hype bring it on (bring it on)
Trynda stack that guac from a song and it's deep
Been in it for a minute now
Workin to us been on road for a minute now
Blowin up and spittin for a minute still I'm gettin A's see
the team, sick em for a minute now
You get par'd in a minute now
Been a minute now, so I charge by the minute now
I ain't in it for the figures and the cash
But I'm in it for the love of the game PAR

Man dem be hustlin daily workin that flow,
see man puttin down the greasiest bars in the studio, oh
dem man are out there shoutin but now it's our time to show
we be murkin try it's crazy for stately amounts of dough, oh
and we the kind of breds that the ladies wanna jump up on
cuz they see us workin angles and gettin that legal whoa, oh
so if you ever doubt it how beggars be comin strong
you better recognize bredda we sitting up on the throne
it's all about US
and we stay TIGHT
time we dun BLOW
got de manner HYPE
da man can't PAR
they just get BY
and we get MORE
SWING man da riddem when I'm on dat (so don't bother CRY)
(quick) Gotta rock dat
(sick) So I can get a fat P off a hot track
cut back a par when a dumb man
dem are like whoa how dey got smash
It's funny how nowadays everybody wanna be a pal ever since
we drop Contact
Us man are killin it, sic with the lyrics the man are tell
me when it comes to the spittage I'm like stop dat
I murk wit da bar the man need a state to workin in bars
Come through you get harpers car
Man's deep in the game so my speech impedes it's the very
last contract
I never been up back I got stacks of flows
I'm back wit da pros ima write my own book on how to get
ahead of 16's and dumb hooks
Throwin the whole scene it's hatin man so shook

Man dem be hustlin daily workin that flow,
see man puttin down the greasiest bars in the studio, oh
dem man are out there shoutin but now it's our time to show
we be murkin try it's crazy for stately amounts of dough, oh
and we the kind of breds that the ladies wanna jump up on
cuz they see us workin angles and gettin that legal whoa, oh
so if you ever doubt it how beggars be comin strong
you better recognize bredda we sitting up on the throne
it's all about US
and we stay TIGHT
time we dun BLOW
got de manner HYPE
da man can't PAR
they just get BY
and we get MORE
so don't bother CRY
it's all about US
and we stay TIGHT
time we dun BLOW
got de manner HYPE
da man can't PAR
they just get BY
and we get MORE
so don't bother CRY