Spotify Release Info
Track: Cold Day in Hell
Artist: Scraping Foetus off the Wheel
Album: Hole
Artist Bio
Name: Scraping Foetus off the Wheel
Spotify Genres: industrial rock, industrial, noise rock, avant-garde, ebm, post-punk
Followers: 7,414
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Biography
[b]Foetus[/b] is a main solo project and 'one-man band' of Australian polystylistic composer, multi-instrumentalist, experimental sound artist and producer [a=J.G. Thirlwell]. Jim Thirlwell conceived the basic Foetus concept when he relocated to London in 1978. He composed everything and recorded all instruments himself, handling the entire production, even drawing illustrations and designing artworks, but for each album, he would invent a new 'band' with a word 'foetus' in a deliberately profane/offensive name. The debut single, [m1114188] 7", was released in 1981 through Thirlwell's own label [l=Self Immolation]. Soon after, Thirlwell adopted a next moniker [i]You've Got Foetus On Your Breath[/i], and produced a debut and sophomore full-length albums [Link] and [Link] in 1981-82. In 1984, Thirlwell permanently relocated to New York City, and ever since he had been closely associated with a 'local' (and internationally renowned) avant/industrial/fringe/free improv underground NYC scene. The next two albums, [Link] (1984) and [Link] '85, were again arranged, performed and produced solely by J.G. Thirlwell, and released under [i]Scraping Foetus Off the Wheel[/i] alias. The concept was again re-invented as [i]Foetus Interruptus[/i] three years later, for the fifth album [Link] in 1988. All known Foetus aliases and name variations were presented on [m8264] compilation in 1989, a collection of rare b-sides and unreleased tracks. During the eighties, Foetus was almost exclusively a solo project for Thirlwell (occasionally credited as [a=Clint Ruin]) in the studio, but live he was supported by a group of musicians from industrial/experimental bands and projects like [a=Swans], [a=Prong] and [a36134]. They would appear as simply 'Foetus' (in the later years) or yet another Foetus side-project/deviation, such as [i]Foetus Corruptus[/i] (captured live in 1988 somewhere in Europe on the 'official bootleg' [Link]). In November 1990, an extended configuration of the band, [i]Foetus In Excelsis Corruptus Deluxe[/i], played a concert at the Manhattan's legendary [l=CBGB], which is documented on [Link] 2xCD, the project's second official live album, released by [l=Big Cat] in 1992. In 1995, Foetus presented their best-known album and the only record produced by a major label, [Link]. It was distributed internationally, and released via [l=Columbia] in USA & Canada, [l=Rough Trade] in Germany, [l=Big Cat] in the United Kingdom, and [l=Sony Music Records] in Australia and Japan. 'Gash' was the first studio work by Foetus prominently featuring other musicians beside Thirlwell: drummer [a=Vinnie Signorelli], who already played with Foetus live on many occasions, as well as [a=Tod Ashley] (bass), [a=Marc Ribot] (guitar), and [a=Steven Bernstein] (trumpet). The band's third live album [Link] was recorded during [i]Rednecropolis 96[/i] tour in Europe, featuring [a=Brian Emrich] on bass, [a=William Tucker] and [a=Kurt Wolf] on guitars, [a=Rob Sutton] with keyboards & guitar, and [a=Jim Kimball] on drums. Foetus returned five years later with a new studio album [Link], released by [l=Thirsty Ear] (USA) and [l=Nois-O-Lution] (Germany) in May 2001. This record marked the transition back to solo Foetus, with all instruments and production by J.G. Thirlwell. It was paired with [Link] remix album, featuring [a=Amon Tobin], [a=Pan Sonic], [a=Kid606], [a=DJ Food], [a=Panacea] and several others. On subsequent albums, Jim Thirlwell is responsible for all instruments and vocals, though every album features at least 3-4 tracks recorded with collaborators and guest musicians. A few conceptual themes in Foetus discography include album titles, which are all four-letter monosyllables, and gradual introduction of color in cover artwork: the first three albums only used black, white and red, with the addition of yellow on 'Nail,' and finally full-color artworks were introduced since 'Gash.' Foetus adopted a new visual identity and style in 2004, reverting to black-white-red gamma. ---------- Extended live configurations: [b]Foetus Corruptus[/b] J.G. Thirlwell as [a=Clint Ruin] – vocals [a=Algis A. Kizys] – bass [a=Norman Westberg] – guitar [a=Ted Parsons] – drums [a=Ray Scaballero] ([a=Raymond Watts]) – keyboards, guitar [b]Foetus In Excelsis Corruptus Deluxe[/b] Clint Ruin – vocals Algis Kizys – bass Norman Westberg – guitar [a=David Ouimet] – trombone, sampler [a=Hahn Rowe] – violin, guitar [a=Vinnie Signorelli] – drums [b]The Foetus Symphony Orchestra[/b] A one-off project, supergroup which played live once at Anchorage, Brooklyn in July 1996, featuring Thirlwell plus seven members of [a=Swans], [a=Unsane], [a=Cop Shoot Cop], [a=Pussy Galore (2)], [a=Boss Hog], [a=Lounge Lizards] and [a=Elysian Fields]. The performance is documented on [Link] album, released in 1997. J.G. Thirlwell – vocals, percussion, tin whistle, conch [a=Brian Emrich] – bass, bass synthesizer, guitar /w E-bow [a=Steven Bernstein] – trumpet, slide trumpet [a=Oren Bloedow] – guitar, electric oud [a=Marcus Rojas] – tuba, didgeridoo [a=Lydia Lunch] – narrator David Ouimet – trombone Vinnie Signorelli – drums [a=Kurt Wolf] – guitar
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