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Track: Deadweight
Artist: Artifex Pereo
Album: Ailments & Antidotes

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Name: Artifex Pereo
Spotify Genres: post-hardcore, mathcore
Followers: 19,632
Popularity:

28/100

Biography

Artifex Pereo is an experimental post-hardcore/alternative rock/progressive rock band formed in 2008 from Louisville, Kentucky, United States. The group self-produced, engineered, and released their debut album "Am I Invisible" in the summer of 2009. The band toured heavily in support of the EP before releasing their full length "Ailments & Antidotes" with producer Kris Crummett in the summer of 2011. That same year founding member and vocalist, Evan Redmon departed from the band. The band found a new vocalist in Lucas Worley. Their third release is called "Time In Place" and was released in 2014. Their fourth is called "Passengers" and was released in 2016. The music of Artifex Pereo is the physical manifestation of the sublime friendship and sentimental bond forged by six friends who’ve poured every ounce of energy, passion and ambition into a mesmerizing collaborative expression. The boundaries between broadminded melodies, chest-thumping rhythmic momentum and guitar lines as meticulously craft as they are undeniably catchy have come down. Artifex Pereo draw from a deep well of sonic exhibitionism, resulting in a body of work as diverse as an iPod on shuffle and yet cohesive, unique and readily identifiable. Discography: 2016 - Passengers (Tooth & Nail) 2014 - Time In Place (Tooth & Nail) 2011 - Ailments & Antidotes (Self-Released) 2009 - Am I Invisible (Self-Released) Members: Lucas Worley - Vocals Jordan Haynes - Guitar Jamie Davis - Guitar/Vocals Jeremiah Brinkworth - Keyboards/Vocals Eugene Barker - Bass Cory Eaves - Drums Evan Redmon – Vocals (2008–2011)

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Release: Artifex Pereo - Ailments & Antidotes
Year: 2011
Genres: Rock
Styles: Alternative Rock, Experimental, Post-Hardcore, Prog Rock

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LYRICS

I have a glove full of pointless bones and veins
sucking the blood from my heart like leaches,
containing nothing but weight,
I am heavily walking left again.
My complaint stems from the miscalculations of assembly gone wrong.
Five shovels dig their way into my skin as a symbol of rejection.
Poor attempts to even me out consist of asking stubborn men
to believe in something they doubt,
a bona-fide affliction of necessity.
Open my head and examine the threads connecting fingers to the brain.
A simple seed planted in me grew into an interposing tree.
The world has been overlooking obvious signs of informality.
Embrace the light of those speaking without a mouth full of twisted tongues.
Weaved and complexes, ridges like waterways spill
where the ocean meets the shore of my wrist.
I alleviate the tempting, so tempting urge to unfasten.
This is not a temporary affair. I am prepared to be more helpless.