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Track: Sandy Beach Sounds
Artist: Sleep Recording Sounds
Album: Oceanic Waves

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Name: Sleep Recording Sounds
Followers: 385
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Biography

[b]77[/b] is a nickname and musical alias of Nana Futagawa, daughter of [a=Junko Futagawa], manager of Boredoms and Yamatsuka Eye's acquaintance. Nana was an infant in 1998 when her parents and EYE decided to feature her on a split-single [Link] with [a=Boredoms]. Junco recorded Nana's voice, baby talk and gargling noises as [i]Super 77[/i] on the A-side. Boredoms composed [i]Super Sky[/i] for the flipside, dedication to [a=Electric Light Orchestra]'s song 'Mr. Blue Sky' which inspired Eye in high school, rendered as an early version of [i]Go!!!!![/i], an hour-long composition released on [Link] CD in Dec '95. The idea that electronic music, especially soothing, ambient-like pieces can be just as beneficial for infants (particularly their sleep) as classical music is quite old, dating back to the earliest days of electronica. Perhaps, the best-known and most comprehensive study of this possibility was done in the mid-sixties by American electronic/synth pioneer [a=Raymond Scott], who produced a 'Soothing Sounds For Baby' mono LP series in three Volumes for [l=Epic] label, featuring tracks specifically composed for babies 1 to 6/ 6 to 12/ 12 to 18 months old. This early ambient collection became a cult classic and was thoroughly reissued as [Link] 3xCD/LP boxset by [l=Basta] in 1999. Artists from the experimental camp also recognized infants as a potential target audience for abstract and ambient sounds, at the same time contemplating Raymond Scott's pioneering role in 'baby music' (see 2001 [Link] CD humorous tribute collection, issued by [l=Badaboom Gramophone] magazine and featuring dedications and reshuffles by [a=Cex], [a=Bogdan Raczynski], [a=Marumari], [a=Arovane], [a=Casino Versus Japan] and other prominent electronic artists), and embarking on their own projects: [Link] CD compilation released in 2005 by [l=Staubgold] presented tracks specifically composed for 0+ audience by [a=Maher Shalal Hash Baz], [a=Lawrence], [a=Yuichiro Fujimoto], [a=Guido Möbius], [a=Kammerflimmer Kollektief], [a=Oren Ambarchi], [a=Asa-Chang & Junray], [a=Nobukazu Takemura], [a=Takagi Masakatsu] and other international innovators and radical sound artists. Being one of the first in this somewhat unconventional league of 'newborn composers,' Nana '77' Futagawa was closely followed by [a=Elise De Waard] (b. 1999), a daughter of [a=Frans de Waard] and [a=Miriam De Waard]. Elise was welcomed into our world with a soothing lullaby/suite [Link] composed by her mother with the help of FdW and [a=Roel Meelkop] and had her first appearance on [r3658773] mini CD-R with screams and other involuntary vocal contributions in July 2000. At the age of three, Elise played a variety of instruments and non-musical objects (metal sheets, paper, sticks, plastic, and other junk) amplified with contact microphones for [a=Freiband]'s album [Link]. In 2005, [a=Yoshio Machida]'s Tokyo-based label [l=Amorfon] produced [Link] CD, a compilation of 10 tracks with field recordings, accidental music, and some more or less conscious sound-making attempts by infants and recently born babies of [a=Andrew Deutsch], [a=Vlad Dobrovolski], [a=Felix Kubin], [a=Shigeru Sato] and other label's artists, with all participants being under 1.5 years old at the time of recording (2003-2005). Elise De Waard continued her career and recorded micro-album of field recordings [Link] (literally 'Sound music' in Dutch), released on business card CD-R by one of FdW's labels in 2007, which received a favorable review by Vital Weekly. In 1999, Nana '77' Futagawa appeared on the front cover of [Link] CD released by [l=WEA Japan] and [l=Birdman Records] in the United States.

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